Writing a religious iconology

The Conceptual Image Iconography Iconography is the branch of art history which studies the identification, description, and the interpretation of the content of images: A secondary meaning based on a non-standard translation of the Greek and Russian equivalent terms is the production of religious images, called icons, in the Byzantine and Orthodox Christian tradition; that is covered at Icon. In art history, "an iconography" may also mean a particular depiction of a subject in terms of the content of the image, such as the number of figures used, their placing and gestures.

Writing a religious iconology

The divine truth was at times revealed to the mystic in visions, auditions, and dreams, in colours and sounds, but to convey these nonrational and ineffable experiences to others the mystic had to rely upon such terminology of worldly experience as that… The nature of religious symbols and symbolization The word symbol comes from the Greek symbolon, which means contract, token, insignia, and a means of identification.

Parties to a contract, allies, guests, and their host could identify each other with writing a religious iconology help of the parts of the symbolon. In its original meaning the symbol represented and communicated a coherent greater whole by means of a part.

[BINGSNIPMIX-3

The part, as a sort of certificate, guaranteed the presence of the whole and, as a concise meaningful formula, indicated the larger context. The symbol is based, therefore, on the principle of complementation. The symbol object, picture, sign, word, and gesture require the association of certain conscious ideas in order to fully express what is meant by them.

To this extent it has both an esoteric and an exoteric, or a veiling and a revealing, function. The discovery of its meaning presupposes a certain amount of active cooperation. As a rule, it is based on the convention of a group that agrees upon its meaning.

Concepts of symbolization In the historical development and present use of the concepts of symbolization, a variety of categories and relationships must necessarily be differentiated. Rational, scientific-technical symbols have assumed an ever increasing importance in modern science and technology.

They serve partly to codify and partly to indicate, abbreviate, and make intelligible the various mathematical e. It functions in a manner similar to that of the religious symbol by associating a particular meaning with a particular sign.

The rationalization of symbols and symbolical complexes as well as the rationalization of myth have been in evidence at least since the Renaissance. Sailko The concept of the religious symbol also embraces an abundantly wide variety of types and meanings.

Allegorypersonifications, figures, analogiesmetaphorsparables, pictures or, more exactly, pictorial representations of ideassigns, emblems as individually conceived, artificial symbols with an added verbal meaning, and attributes as a mark used to distinguish certain persons all are formal, historical, literary, and artificial categories of the symbolical.

The symbol religious and other is intended primarily for the circle of the initiated and involves the acknowledgment of the experience that it expresses. The symbol is not, however, kept hidden in meaning; to some extent, it even has a revelatory character i.

It indicates the need for communication and yet conceals the details and innermost aspects of its contents. Varieties and meanings associated with the term symbol Different forms and levels of the experience of and relationship to reality both sacred and profane are linked with the concepts of symbol, signand picture.

The function of the symbol is to represent a reality or a truth and to reveal them either instantaneously or gradually. The relationship of the symbol to a reality is conceived of as somewhat direct and intimate and also as somewhat indirect and distant. The symbol is sometimes identified with the reality that it represents and sometimes regarded as a pure transparency of it.

The doctrine of the eucharistic sacramental presence of Christ in the teachings of Eastern OrthodoxyRoman Catholicismand the Protestant Reformers concretely demonstrate the various and extensive levels of symbolical understandings.

The concept of the symbol, however, includes all these interpretations. Archivo Mas, Barcelona Furthermore, a symbol in its intermediary function has aspects of epistemology theory of knowing and ontology theory of being. As a means of knowledge, it operates in a characteristically dialectical process of veiling and revealing truths.

It fulfills an interpretative function in the process of effectively apprehending and comprehending religious experience. In doing so, the word, or symbol—with its meaning, contextual use, relationship to other types of religious expression, and interpretative connection with the various forms of sign, picture, gesture, and sound—plays an important part in the process of symbolical perception and reflection.

Although the symbol is an abbreviation, as a means of communication it brings about—through its connection with the object of religion and with the world of the transcendent—not only an interpretative knowledge of the world and a conferral or comparison of meaning to life but also a means of access to the sacred reality.

It may possibly even lead to a fusion, or union of some sort, with the divine. Here, the concept of analogy is important; the symbol functions in these ways because it has an analogous cognitional as well as existential relationship to that which it signifies.

The symbolic process To trace the origin, development, and differentiation of a symbol is a complicated process.The word iconography comes from the Greek εἰκών ("image") and γράφειν ("to write").

A secondary meaning (based on a non-standard translation of the Greek and Russian equivalent terms) is the production of religious images, called icons, in the Byzantine and Orthodox Christian tradition; that is .

Iconography and Iconology of an Advertisement Essay - Iconography and Iconology of an Advertisement Looking at the art of the past, we see many images depicting nude women. From Botticelli’s The Birth of Venus to Ingres’s Grande Odelisque, many artists like the idea of .

The word iconography comes from the Greek εἰκών ("image") and γράφειν ("to write"). A secondary meaning (based on a non-standard translation of the Greek and Russian equivalent terms) is the production of religious images, called "icons", in the Byzantine and Orthodox Christian tradition (see Icon).

writing a religious iconology

ICONOLOGY AND ICONOGRAPHY. The terms iconology and iconography are derived from the Greek word for image (ε ί κ ώ ν) combined with either the word for writing (γ ρ ά φ ε ι ν, to write, thus iconography) or with the word for reason and thought (λ ό γ ο ς, thus iconology).

Apr 28,  · Iconography and iconology are interdependent sciences concerned with the visual arts and architecture as reflections of a culture. Broadly speaking, the terms are sometimes used kaja-net.coms: 8. The word iconography comes from the Greek εἰκών ("image") and γράφειν ("to write"). A secondary meaning (based on a non-standard translation of the Greek and Russian equivalent terms) is the production of religious images, called "icons", in the Byzantine and . The word iconography comes from the Greek εἰκών ("image") and γράφειν ("to write"). A secondary meaning (based on a non-standard translation of the Greek and Russian equivalent terms) is the production of religious images, called "icons", in the Byzantine and Orthodox Christian tradition (see Icon).

The two terms are closely connected and have often been used interchangeably. The word iconography comes from the Greek εἰκών ("image") and γράφειν ("to write").

A secondary meaning (based on a non-standard translation of the Greek and Russian equivalent terms) is the production of religious images, called "icons", in the Byzantine and .

Religious symbolism and iconography - Icons and systems of iconography: Throughout the history of their development, religious iconography and symbolism have been closely interrelated. Many religious symbols can be understood as conceptual abbreviations, simplifications, abstractions, and stylizations of pictures or of pictorial impressions of .

Iconography | History of Graphic Design