Background[ edit ] The Birmingham campaign began on April 3,with coordinated marches and sit-ins against racism and racial segregation in Birmingham, Alabama. On April 10, Circuit Judge W. Jenkins issued a blanket injunction against "parading, demonstrating, boycotting, trespassing and picketing. King writes in Why We Can't Wait:
For the first time in over fifteen years, Tommy Dorsey's orchestra would share the same recording studio with his brother Jimmy Dorsey's band, a special performance in New York's Liederkranz Hall on March 15, In order to make sure both orchestras' sounds were properly recorded, Simon had the respective brass sections set up at one side of the studio, the reed section on the other side, and the rhythm sections in the middle.
The feed to the mastering studio had to go through two different radio network hookups just to get to the recording plant. The track should have been saved and reissued on hundreds of Dorsey greatest hits packages.
But Simon was recording this for V-Disc Records, a government-created music company. For him, this was just another recording session - albeit a historical one - and the two tracks produced today would end up in a box of 78's that were shipped overseas to GI's and gunners and specialists and ensigns and generals and captains for free - recordings that were not sold in Stateside record stores.
Radio personality Bill Goodwin introduced the festivities. One of them is led by the former boss of my present boss, a fellow named Tom Dorsey. He knows this introduction will mesh well with whatever song the Dorseys perform.
Such recording sessions are the hallmark of V-Disc Records, a label whose seven-year existence in the 's produced a treasure trove of rare jazz and big band tunes, patriotic marching music and world-class classical orchestral performances.
For a few years, thanks to a series of musician's union strikes, V-Disc was the only company able to produce new releases of popular songs. American servicemen throughout the theater of war, from the Italian Alps to the North African deserts, received a shipment of V-Discs every month, filled with a wide variety of music from every different genre.
Nine hundred inch 78's, encompassing over songs. A few years later, many of these discs were confiscated and destroyed by those same armed forces - but today, the records have survived, and the songs on those old 78's are resurfacing on compact disc.
Bronson, whose previous musical experience included a stint in John Philip Sousa's marching band, suggested the troops might appreciate a series of records featuring military band music, inspirational records that could motivate soldiers and improve morale.
Bronson's original idea showed promise, and by the Armed Forces Radio Service AFRS sent inch, 33 rpm shellac transcription discs to the troops, mostly radio shows with the commercials edited out. The troops had no say in what they received - the transcription disc could have a concert on it, or some big band music, or a symphony orchestra.
Petrillo argued that every time a record was played on the radio or in a jukebox, his union members received neither compensation nor remuneration. With that in mind, Petrillo told the four major record companies RCA Victor, Decca, Columbia and Capitol that unless AFM members received a higher royalty payment to compensate for those losses, the union would not produce any more records after July 31, The companies initially refused to pay the increased royalty, and instead stockpiled performances and concerts, hoping that the strike would be short.
It lasted for two years. During the strike, musicians would give concerts and radio broadcasts, but made no recorded music a cappella groups were exempt from the ban, as were groups like the Harmonicats, whose harmonicas were not considered "instruments" by Petrillo. The record companies quickly ran out of pre-strike unreleased material, and the demand for new songs was increasing dramatically Decca, for example, had the rights to release the soundtrack to the popular show "Oklahoma!
And as the war raged on, soldiers wanted to hear new songs and new singers, not the same pre recordings they heard before they shipped off to the foxholes.
Now Lieutenant George Robert Vincent enters the picture. Vincent had a long association with both the armed forces and recorded music.Apache/ (Red Hat) Server at kaja-net.com Port The Night Thoreau Spent in Jail: A Play [Jerome Lawrence, Robert E.
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If the law is of such a nature that it requires you to be an agent of injustice to another. Although you cannot present your letter during the trial, perhaps you can share this information during the sentencing. The document available for viewing above is from an early draft of the Letter, while the audio is from King’s reading of the Letter later.
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A reissue of a now classic American drama. If the law is of such a nature that it requires you .