The internet celebrated its 25th birthday this year, and it has accomplished a lot by the middle of its twenties. According to Socialnomics, an estimated 2. The internet has completely transformed the way people live their lives, so what are the billions of people doing each day?
Amanda Palmer on Vocals Sometimes I think I can hear the internet as it relentlessly changes everything. But the sound of the internet changing everything grows most audible in and around the music industry.
This week's tabloidisation of Australia's Fairfax newspapers is merely a symptom of the way the net has already changed the news media. So, too, is the pending extinction of science journalism. And the withering of book publishing. Mostly howls of impotent rage from large record companies and some of the more histrionic artists.
Music profits have never been as big as they were in the late 20th Century. His accounts of the cocaine-sodden, sex-soaked excesses among record industry executives overshadow those permeating How the internet changed the music ghost-written biographies of most rock stars. And I don't think that is entirely due to a difference in candour.
Thirty years ago, people who wanted to listen to Michael Jackson's Beat It had to buy the Thriller album. And that put a lot of money into CBS's account and Yetnikoff's entertainment fund.
Last year's equally vacant cross-national nerve toucher, Gangnam Style has enjoyed over 1. I embed the video below, not as endorsement, but because I am allowed to do so for free. Psy's rather esoteric Gangnam Style an internet-driven phenomenon And now, to offset that sin, and because I would rather promote something in which you have probably not yet marinated, I embed an equally cross-lingual video from the "fresher than Zef" South African Jack Parow.
Jack Parow featuring Francois van Coke - Hard Partytjie Hou We resume normal programming Sure, radio play and purchased downloads, plus a suicidal schedule of talk-show appearances and one-song gigs made Psy and his record company a lot of money.
But not in the same order of financial magnitude as the profits that propelled Jackson's shopaholic mania and Yetnikoff's cocaine binges. Free access to music videos on YouTube is, of course, a symptom of the fact that the net enables the copying and dissemination of music on a scale never before seen.
Or as the record companies call it: And so many embrace the unprecedented reach of the internet, using it to build their fan base by making their videos available on YouTube for free. The question that most taxes the music industry is now: And that completely inverts the way technology changed music in the 20th Century.
Music changes lives As technology changes, irreversibly altering the ways in which people experience and enjoy music, it also alters the economics of how music is made, distributed and sold. And that changes the incentives for artists, the livings musicians can lead, and even their prospects for living a long and healthy life.
It also made music a dangerous place to be, especially for musicians. That, I argue, is because technology made it possible for the emergence of megastars.
Until the end of the 19th Century, people played music themselves or listened to music played by musicians.
Some profits could be made by composers and retailers of sheet music, but large numbers of professional musicians could make a respectable living playing six nights a week. The gramophone, radio, television, Hi-Fi, boom-box and CD player each helped the same few artists to be heard in every corner of the globe.Artist: Arthur Single: Habashwe Genre: New Age Kwaito Label: Music Flashback to the 90’s a young man named Arthur Mafokate coined a music genre that changed the face the South African.
*Slow internet is the difference between the share of Americans that reported to Pew that they used the internet at all, and the share that reported they had home broadband. It includes Americans.
I Met the Walrus: How One Day with John Lennon Changed My Life Forever [Mr. Jerry Levitan] on kaja-net.com *FREE* shipping on qualifying offers. Imagine you're the world's biggest Beatles fan and you've just snuck into John Lennon's hotel room. But instead of being thrown out.
Greg Kot, the author of Ripped: How the Wired Generation Revolutionized Music, talks to TIME about the demise of the music industry, whether illegal file-sharing is really that bad and why nobody may ever again be as big as the Beatles.
Mar 10, · The second single from “Purpose,” Justin Bieber’s fourth studio album, “Sorry” is an infectious confection — a Dorito for your ears.
Death Cab is just one of the Internet-and-music stories chronicled in Chicago Tribune music critic Greg Kot's book Ripped: How the Wired Generation Revolutionized Music. Kot talks to TIME about the demise of the music industry, whether illegal file-sharing is really that bad and why there may never be another band as big as the Beatles.